Issue #23: Visual Art Against War

Contents:

• Rodolfo Hinostroza / “The Benefactor” (translated by Alita Kelley)
• Robert Appelbaum / “Morte d’auteur”
• Jonathan Baumbach / “Violence & Eros”
• Elizabeth Hay / “Back to Yellowknife”
• Trace Earl Reddell / “transcan full of fishheads”
• Larry Fondation / “Blood Relations”
• Elizabeth Cook / “Phallacies”
• Najah Al Tikriti/Abdullah Al Maaini / “A Textual Experience: One Rose, Two Roses, Th . . . By an impossible sap, a mysterious fluid, evasive voids, a shrouded sun under a sobbing wrap, sleeping pills, Abdullah Al Maaini, etc. .”
• Kenneth Bernard / “Prolegomena”
• Michael Keever / from “Passing Off” (as told to and translated by Sotiris Evangelakis)
• Mark Amerika / “Amerika at War: The Mini-series”
• Wendy Walker / “Swan Hunger”
• Lynn Luria-Sukenick / “Shore Dinner: An Invention for Tape and Invention”
• Mike Mee / “Narrative/Dialogue/Voice: December, August July, 1969”
• Jim Miller / “City of Angels”
• D. E. Steward / “Augusto”

Reviews:

• Harold Brodkey, The Runaway Soul, reviewed by Harold Jaffe

Art (Visual Art Against War):

• Ken Bryan / “word sculptures”
• Jaune Quick-To-See Smith /”Paper Dolls For a Post-Columbian World With Ensembles Contributed by the U. S. Government”
• Christer Themptander / three photomontages
• J. D. Crowe / “Iraqnophobia”
• Contributors’ Notes