Copyright Amendments Concerning Distance Learning TEACH Act
Background
The Technology, Education, and Copyright Harmonization Act of 2001
(TEACH Act) was signed into law on November 2, 2002, amending Sections
110 and 112 of the U.S. Copyright Act. These changes specifically address
the use of copyright protected materials in distance learning, by non-profit
accredited educational institutions.
The act updates the earlier versions of the copyright law to include
the capabilities of newer technologies, and is an attempt to protect
the rights of the copyright holder, while providing teachers with access
to materials they would like to use in distance learning. Some feel
that the act provides clarification and finally allows for the use of
materials that had been previously excluded. Others feel that it unfairly
restricts how faculty, without permission of the copyright owner, may
use copyrighted works in their distance learning classes.
As with many parts of the Copyright Act, the amendments have phrasing
that is confusing and leaves many unanswered questions. The following
is an attempt to clarify some key points that are contained within the
amendment.
Performance and Display of Materials
The act’s exemption, which allows for the use of materials in
distance learning without permission of the copyright owner, is for
“… the performance of a non-dramatic literary work
or musical or reasonable and limited portion of any other work, or display
of a work in an amount comparable to that which is typically displayed
in the course of a live classroom session…” [underline added
for emphasis]
- Performance is to recite, render or play; in the case of
motion picture, or other audio-visual work, it is to show its images
in any sequence.
- Display is to show a complete photograph, cartoon, etc.;
in the case of motion picture, or other audio-visual work, it is to
show individual images non-sequentially.
Under this exemption a faculty member is allowed to include (display)
works such as a complete photograph, a cartoon from the newspaper,
an illustration from a book, within their distance learning materials.
However, it only allows for the inclusion (performance) of a portion
of most types of videotape or other types of audiovisual works. The
act does not define “reasonable and limited portion”, thus
leaving this open to interpretation. Permission from the copyright owner
would most likely be necessary to stream an entire video program, to
include an entire novel, or more photographs than would normally be
used within a “live classroom session”.
Must be Instructional and Under Direction of Instructor
The use of the materials must be “… made at the direction
of, or under the actual supervision of an instructor…
- as an integral part of a class session…
- offered as a regular part of the systematic mediated instructional
activities..
- directly related and of material assistance to the teaching content…”
This section requires that the faculty member be actively involved
in the distance learning activities, but it does not restrict students
from posting copyrighted materials, that fall within the guidelines
of the act, to a site. It also requires that the materials be directly
related to the instruction. Background music, artwork, poems or other
materials not directly part of the actual instruction (decorations,
mood setting, supplemental readings) are not allowed.
Only for Students Enrolled in Class
The “… transmission is made solely for, and to the extent
technologically feasible, the reception … is limited to students
officially enrolled in the course…”
If a faculty member wishes to use copyright protected materials under
this exemption, the portions of the course containing those materials
must be available only to “officially enrolled” students.
Password protected websites, such as Blackboard, provide the necessary
protections, as long as passwords are only provided to those enrolled
in the class.
Retention by Students Must be Prevented
An institution (instructor) qualifies for the exemption if it “…
In the case of digital transmissions –
- applies technological measures that reasonably prevent --
- retention of the work in accessible form by recipients …for
longer than a class session
- unauthorized further dissemination of the work… by such
recipients...
- does not engage in conduct … to interfere with technological
measures used by copyright owners to prevent such retention and …
dissemination …”
The second portion of this section requires that any measures (i.e.,
access keys, copy protection techniques) that the copyright owner puts
in place to protect a work, must not be disabled by the institution
in a way that will allow students to retain the work.
The first portion appears to be the most difficult requirement of the
act. If materials are placed on a website (digitally transmitted) they
must be protected from being retained on the student’s computer
for longer than the length of time they are connected into the web server
or working on that one class session. With streaming video there are
ways to assure that the segment may not be retained. However, with text
and visuals, such as articles, photographs and illustrations, it is
much more difficult to protect against copying.
Restrictions on Types of Materials
The materials used in distance learning under this exemption:
- Must not include “… such works as textbooks, course
packs, or other material in any media, … which are typically
purchased or acquired by the students in higher education for their
independent use and retention…”
- Must be from an original that is “… lawfully made and
acquired…”
- Must not be “… produced or marketed primarily
… as part of mediated instructional activities transmitted via
digital networks…”
- May only be duplicated from an analog original if “…
no digital version of the work is available to the institution; or
the digital version of the work … is subject to technological
protection measures that prevent its use…”
A safe ‘rule-of-thumb’ would be, if the students usually
purchase the items for a classroom-based class, they should purchase
them for a distance learning class. The last two points are to protect
the copyright owner in the case of materials that are developed for
digital transmission and meant for sale to the students (e.g. instructional
materials on a website that students would normally pay to use), or
were available originally in analog format and are now also available
in digital format (e.g. the movie Citizen Kane that was available on
videotape, but is now available on DVD).
Notice to Students
The act requires that SDSU provide information concerning copyright
to the students including “… notice to students that materials
used in connection with the course may be subject to copyright protection…”
All Blackboard courses include the statement below. Faculty with non-Blackboard
sites should include a similar statement on their site.
“This website may contain copyrighted works that are included
with permission of the copyright owner, or under exemptions provided
by U.S. Copyright Law (Sections 110, and/or 107). Copying of any of
these copyrighted works is prohibited.”
Summary
Hopefully the above six areas have helped to explain most of the key
new revisions introduced by the TEACH Act. The information and interpretations
above are based off of reviewing: the TEACH Act, the Report 107-687
(House of Representatives, Committee on the Judiciary) concerning the
act, and materials written by Kenneth Crews, Professor of Law, at Indiana
University School of Law – Indianapolis.
Copyright is confusing and sometimes appears to be contradictory. For
example this amendment does not negate Section 107 (Fair Use) of the
Copyright Act, which may allow uses beyond those stated in this revision
of Sections 110 and 112. Unfortunately, fair use is extremely vague
and difficult to interpret. Thus amendments that have specific requirements
help to clarify what is acceptable, but they also often place restrictions
on what some users would like to do.
Faculty members following the requirements of the TEACH Act will know
that they are not violating a copyright owner’s rights. If, however,
there is a need to go beyond what is permitted within the act, either
a determination should be made that the intended use falls within fair
use or permission should be received from the copyright owner.
Copyright Related Resources
The following sources provide additional information on copyright,
fair use and the TEACH Act.
- Circular 21: Reproduction of Copyrighted Works by Educators and
Librarians, U.S. Copyright Office, http://www.copyright.gov/circs/circ21.pdf
- Copyright Crash Course, University of Texas System, http://www.utsystem.edu/OGC/IntellectualProperty/cprtindx.htm
- Copyright Law, Copyright Office, http://www.loc.gov/copyright
- Copyright Management Center, Indiana University, http://www.copyright.iupui.edu/
- Fair Use of Copyrighted Works, Consortium for Educational
Technology in University Systems, http://www.cetus.org/fairindex.html
- Guidelines for ECR [Electronic Course Reserves] Access
to Copyrighted Materials, SDSU Library, http://infodome.sdsu.edu/about/depts/reserve/copyright.shtml
- New Copyright Law for Distance Education: The Meaning and Importance
of the TEACH Act, Kenneth Crews, http://www.ala.org/washoff/teach.html
- Technology, Education and Copyright Harmonization Act of 2001
Report, House of Representatives, 107th Congress, http://thomas.loc.gov/cgi-bin/cpquery/?&dbname=cp107&maxdocs=100&report=hr687.107&sel=TOC_2692&
|