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Middle-Grade Non-FictionAGE GUIDES: these are approximate recommendations:
* denotes San Diego writer and/or illustrator
Adams, Simon. The Kingfisher Atlas of the Ancient World. Illus. Katherine Baxter, Boston: Kingfisher , 2006. $15.95
Adams, Simon. The Kingfisher Atlas of the Medieval World. Illus. Katherine Baxter, Boston: Kingfisher, 2006. $15.95. ISBN 978-0-7534-5946-1.
Adams, Simon. The Kingfisher Atlas of the Modern World: A Pictorial Guide to the Peoples and Events of Modern Times—from 1800 to the Present. Illus. Kevin Maddison. Boston: Kingfisher, 2007. ISBN: 978-0-7534-6034-4. $15.95. Ages 8+ to adult.
Alcorn, Stephen. A Gift of Days: The Greatest Words to Live By. NY: Atheneum, 2009. ISBN 1-4169-6776-7. $21.99. Ages 8+
Beccia, Carlyn. The Raucous Royals: Test Your Royal Wits: Crack Codes, Solve Mysteries, and Deduce which Royal Rumors Are True. Boston: Houghton Mifflin, 2008. ISBN 0-618-89130-6. $17.
Behnke, Alison. The Conquests of Alexander the Great. Pivotal Moments in History series. Minneapolis: Twenty-first Century Books, 2008. ISBN 978-0-8225-5920-7.
Beller, Susan. Roman Legions on the March: Soldiering in the Ancient Roman Army. Soldiers on the Battlefront series. Minneapolis: Twenty-First Century Children’s Books (Lerner), 2008. B&W and sepia illustrations. 112 pp.
Cleary, Brian P. Lazily, Crazily, Just a Bit Nasally: More about Adverbs. Illustrated by Brian Gable. Minneapolis: Millbrook Press, 2008. ISBN: 978-0-8225-7848-2. $15.95. Ages 7-11.
The Concise Nature Encyclopedia. Boston: Kingfisher, 2006. 14.95. ISBN 978-07534-5949-2.
Corbishley, Mike. The Illustrated Encyclopedia of Ancient Rome. Los Angeles: The J. Paul Getty Museum, 2003. ISBN 0-89236-705-9. 160 pp., large size, map, full color throughout.
Finkelstein, Norman. Jewish Comedy Stars: Classic to Cutting Edge. Minneapolis, MN: Kar-Ben, 2010. ISBN 0-8225-9942-5. $9.95.
Harpur, James. Warriors. NY: Atheneum Books for Younger Readers, 2007. ISBN- 978-1416939511. $21.99. Pop-Up Book. Ages 9-12 Historical non-fiction
Jocelyn, Marthe. A Home for Foundlings. Plattsburgh, NY: Tundra, 2005. ISBN 0-88776-709-5. $16.95 U.S./ $24.99 CAN. Ages 7-12.
Long, John. Dinosaurs. New York: Simon and Schuster, 2007. ISBN 978-1-4169-3857-6. $16.99.
Markel, Rita. The Fall of
the Roman Empire. Pivotal Moments in History series. Minneapolis:
Twenty-First Century Books, 2008. ISBN 978-0-8225-5919-1.
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Markel is able to present the Roman history the outlines of which are familiar to most of us in an exciting way by focusing on details of progressively less capable emperors and how decisions they made affected the empire. She mentions the theory that Augustus’ decision not to decisively vanquish the Germanic tribes may have ultimately been the cause of the empire’s downfall centuries later. After the Pax Romana ended with the reign of Marcus Aurelius, subsequent rulers raised taxes, military discipline grew lax, and the divide between the rich and poor actually became a matter written into Roman law. Around 300 A.D., Diocletian instituted major reforms, but, in the long run, unsuccessfully, and Celts and Germans began amassing along the northern and northeastern borders, succeeded by Goths, Franks, and Huns. He also persecuted Christians unwilling to worship him as a god. Even dividing the empire into west and east did not help preserve the Romans’ power, and, ultimately, in 476 Rome was overrun, though, by then, there was little that hadn’t already been sacked. Markel does a fine job, too, of discussing the aftermath and legacy of the Roman Empire. The illustrations are varied and excellent; a Glossary, Bibliography, and Timeline are included. A. Allison |
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Digital Art: Painting with Pixels is at first and last glance, a stunning book. The guide is completely dedicated to explicating the art of digital art. Author Ron Miller delves into the mechanics of digital art along with past incarnations and future transformations. Miller also explains how digital art differs from that of traditional art and its inclusion in virtually every visual medium. The history of digital art is also covered in depth along with the subsequent changes since inception. An interesting aspect that Miller touches upon is the way in which different forms of digital art are created, from the very basic pixel to the greatly reduced form of binary code. Topics such as pixilation, DPI, and resolutions span the length of the book in great detail. Miller also describes the types of jobs and careers available in the realm of digital artistry, ranging from animated and CGI design, game design, and illustrated and graphic arts. Especially applicable to graphic novels, Miller lends insight into the level of digital wizardry involved in their creation. Hugo Award-winning author and illustrator Ron Miller further analyzes digital art as a specifically defined and distinctive facet of modern culture. From motion capture and CGI to videogames and Computer Aided Design systems, digital art is and will continue to be the commercial artist’s premier choice. The prevalence and relevance of digital art, mainstream or underground, touches on a variety of subjects worth mentioning; technology, art, media, and careers to name a few. Included in the book are a multitude of digitally rendered examples and side bars with hands-on activities. Miller has also integrated many of his own illustrations in order to further exemplify the variations available within the world of digital art. John Whitt |
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This engrossing
and delightfully-presented book is both about tree kangaroos
and the science of finding them, learning about them, and
recording data about them. They are not easy to find. Readers
will find the composition of the team to be of interest: both
scientists from around the world and local experts. For the
two-week expedition, supplies, gear, shots, pills to prevent
disease, veterinary goods are needed. The author provides
a list, bringing abstract ideas like “being a scientist”
into concreteness for budding future researchers; one item
is “3 five-liter containers of ethanol, to preserve
scientific specimens like kangaroo dung.” Flying into
one of the most remote regions on earth, the New Guinea Cloud
Forest, is an adventure in itself. Much information is provided
about the singular island of New Guinea with beautiful photographs
of parrots, snakes, waterfalls, and tropical flowers. Yes—the
team finds the tree kangaroos, way up high at 80 feet in the
forest canopy. A scientist’s and photographer’s
written and visual odes to these remarkable animals follows—close-ups
of their claws, for example. The placing of radio collars
on some of the kangaroos is explained as a conservationist’s
method of keeping track of their movements to protect them.
A. Allison
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Jazz, written by Walter Dean Myers and illustrated by his son Christopher Myers, chronicles the history of American jazz from its African roots to its transformation in America, its widespread fame throughout Europe, during World War I, to contemporary jazz icons. Jazz begins with a two-page introduction detailing the term “jazz” by elaborating on its origins and unique sound which established it as a genre of its own in music history. The rest of the book follows with jazzy beats, catchy end-rhymes, and repeated stanzas such as: “Start with the rhythm/ Start with the heart/ Drumming in tongues.” Jazz cleverly demonstrates the rhythms and techniques of various styles of “jazz” and “blues” by incorporating syncopation into the words and stanzas of each page; also, there is no punctuation within the book which further emphasizes the freestyle improvisation of Jazz. A reader, regardless of musical instrument ability, will be able to hum along to the jazzy lyrics while learning what makes jazz stand apart from other musical genres. The end of the book is divided into a three-part jazz session: “Jazz Vocal,” “Blues,” and the “Three Voices” of Bass, Piano, and Horn that create jazz improvisational masterpieces. A handy glossary explains jazz terms for the aspiring jazz musician. Jazz includes such legendary icons as Louie Armstrong, and an easy to follow Jazz timeline (see the end of the book) nods to Charlie Parker, Dizzy Gillespie, Miles Davis, Duke Ellington, and many more! The Broadway hit musical Chicago summed up America’s Jazz obsession—“And all that Jazz!” People love jazz music, as demonstrated by the various musical styles inspired by it, from Rock n’ Roll to Broadway blockbusters. Myers’ picture book playfully manipulates words and space with colorful texts and vibrant illustrations resulting in a successful vocal and visual jazz experience. The colors in each illustration convey the mood of each song, as in blues for “Blue Creep In,” yellow for “Be-Bop,” and Orange for “Twenty-Finger Jack.” Christopher Myers’ illustrated jazz singers and musicians swing boldly and vividly off of the page, dare to swoop down into a corner, or dance across a two-page spread. Myers is the recipient of the Coretta Scott King for his illustrations in Jazz. Additional Awards for this book include: ALA Notable Children’s Book, Publishers Weekly’s 100 Best Books of the Year, Winner: Lee Bennett Hopkins Poetry Award, and Winner: Odyssey Award for Excellence. Jazz is a must read for children or adults interested in jazz, music lovers, or simply as an educational tool for the music classroom. In Myers own words: “I’ll reach for the stars/ Blow notes around Mars/ And then you come in/ And then you come in.” If you like this book, I also recommend Chris Rashka’s Giant Steps. Teen Readers: James Weldon Johnson’s The Autobiography of an Ex-Colored Man and Other Writings. Shelley A. McRoberts
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| By approaching the Roman gladiator as a working man, Nardo is able to provide details about the motivation, daily life, aspirations, and survival techniques of the Roman gladiator. Most were slaves, captives of war, or poor freedmen who saw hope for a better future if they managed to stay alive in the arena—not an easy thing to do. The occasional female fighter was likely not there by choice. The author describes a typical day at the arena: the pre-show, the ritual presentation of the fighters, and then the battles: different kinds of gladiators, different weapons and combat styles, and different opponents—people or animals. Nardo writes exciting prose, well researched, and illustrated in b&w with contemporary material or by scenes from modern movies such as Gladiator, Spartacus, and Barabbas. Additional features of the book are a Glossary, Timeline, and bibliography. A.
Allison
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| Delicious is the biography of painter Wayne Thiebaud, best known for his paintings of food—hamburgers, pies, cupcakes, hence, the title. Thiebaud grew up during the Great Depression and began drawing cartoon when he was in high school. Then he went to college and became an art teacher himself. It was some years before a gallery finally agreed to showcase his paintings. Thiebaud clearly became successful because he worked hard and persevered. This biography is a great anecdote to the American Idol craze. In upbeat and engaging prose, Rubin writes mostly about his career and education, and she discusses where his work fits into art history and his art in relation to that of his contemporaries. The cool thing is that, while she provides a bibliography, Rubin didn’t get all her information about Thiebaud from books; she interviewed him! She includes some of his quotes that give a lot of insight into his work and what inspires him. Also, the book contains many full color pictures of his paintings. There’s a great sampling of his work, not just what he’s most known for, but the whole range of his talent. Marie Soriano
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Wham! is another excellent work of non-fiction for kids by Susan Goldman Rubin. This time she covers the life of Roy Lichtenstein, a visual artist who was Andy Warhol’s contemporary. Lichtenstein was interested in pop-culture. However, unlike Warhol who was famous for silk-screening an image repeatedly, such as the face of Marilyn Monroe, he wasn’t interested in mass production. On the contrary, his paintings may reflect a comic book style, but he created his work with much attention to detail. Rubin discusses Lichtenstein’s contributions to the art world and career as well as his childhood and background. While Rubin mentions his two marriages, his children and his friendships, don’t expect any gossip or sordid details. I guiltily admit that I wanted Rubin to add more about how he met his first wife, what their relationship was like and why their marriage ended. Yet if she had included those personal details, they might have taken attention away from his achievements. Besides, kids are exposed to celebrity gossip on the Internet and television; they don’t need it in the books they read. Furthermore, the focus of the book is Lichtenstein’s artwork. What I love most about this book is that Rubin gives readers insight into what inspired Lichtenstein and how he felt about his own work. In addition, Rubin meticulously researched her subject. In the “References and Resources” section of the book, I count 17 books, 10 exhibition catalogs, 8 articles, 7 videos, and 2 cds. She also interviewed Lichtenstein’s sister and one of his close friends. Last but not least, I have to mention the book’s full color photos of Lichtenstein’s work, which also make this biography a delight. If you would like to read more of Rubin’s work or learn more about art, I highly recommend her biography of Wayne Thiebaud, for which she interviewed the artist himself. Marie Soriano
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“The Air Apparent”—that’s the title of Savage’s first chapter, and those who, like me, enjoy basketball and, moreover, have a team, will appreciate this full-color, reasonably-priced biography and photo gallery of one of the game’s all-time greats: Kobe Bryant of the Los Angeles Lakers. It so happens as well that the Lakers are my team; they have been since the ‘80’s of Kareem, Magic, Silk, and Scott. As we learn from the biographical information, no wonder Kobe is as formidable as he is; it turns out Kobe’s 6’10” father was a contemporary of theirs who played pro for 8 years in the NBA and later in Italy. From a very young age, Kobe practiced with the pros; his fluent Italian is a gift of his years of growing up in Europe. Tidbits like what encouraging words
Michael Jordan said to the young Kobe are fascinating; I saw
the first game they competed in: it was a beautiful sight.
I felt especially good to learn that, growing up, the frequently
air-born Magic Johnson was Kobe’s favorite player. Kobe
had a life-size poster of Magic on his bedroom wall. Kobe
joined the Lakers when he was 17. Nice to know his favorite
coach was “Superman,”—Kurt Rambis. Kobe
was just 21 when the Lakers won the 2000 championship. That
was the team with the mighty Shaquille O’Neal. Kobe leads the team now, with exciting
players like Fisher, Pau and Odoms--and the rest is/will be
history! And let us be glad our current president is a basketball
player; is there a game that requires faster reactions, quicker
thinking, more on-the-spot strategy, physical stamina, and
street smart talk than this game? Alida Allison |
| Science books these days are of extraordinary quality, full of information, photos, charts, historical drawings, and, of course, the most current computer, MRI, and CT scans, ultra-close-ups of hair, chromosomes, viruses, embryos, and graphic intrigues like arrows and icons. Human Body is especially well composed, and it’s original in its organization in that its three big chapters are “Past and Present,” “The Body in Action,” and “Supply and Defense” rather than the usual “Skeletal System,” “Respiratory System,” etc. This is a fine, relatively inexpensive book for classrooms or budding scientists. A. Allison
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| Martin Woodside has written a fine, engaging biography about the man we recognize as the inventor of the light bulb, taking us from the time of Edison’s birth in 1847 to his death in 1931. You won’t fall asleep while reading this history book. This biography is so compelling because Woodside explains what Edison was like as a person. Edison grew from a driven young man to an ambitious and genius inventor as well as a savvy businessman. But he was also stubborn and sometime arrogant, and while a loving father, he was a lousy, mostly absent husband. Woodside paints a three-dimensional portrait of Edison, so we can understand him as a human being. He’s no longer that far-away character in a textbook. In addition, Woodside explains a number of inventions in clear language, so even those with little gift for science can understand them. Also, he puts Edison in a historical context so that we can understand the times in which Edison lived and invented. It becomes clear that inventing things was not easy, and inventing included more than creating. It included production and marketing, as well. Many times biographies and history books, especially those found in the classroom, can be dry. How many of us had to stifle a yawn as we read that American History textbook? I am very pleased to say that I did not yawn once as I read Thomas Edison: The Man Who Lit Up the World. In fact, Woodside actually creates suspense at the end of each chapter, so you can’t wait to learn more about Edison’s life. It’s almost like a novel unfolding. For those concerned about accuracy, Woodside’s bibliography is substantial with ten books as sources. This biography would make a great supplemental source in any classroom. Marie Soriano
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