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A bartender by training and a carpenter, painter and photographer from necessity, Guillermo Nericcio García also dabbles in graphic design--most notorious perhaps for his scandalous censored Daumier-inspired political lampoons of his high school vice principal Mr. Shoup in the late 1970s at St. Augustine High School in Laredo, Texas.
His digital canvas, 'Mexicanesque Maus,' appeared on the cover of Camera Obscura: Feminism, Culture and Media Studies n.37;
additionally, he completed the cover and contents design for Poetry International Issue III. Other designs include the poster and brochure for the Y2K California Studies Association Conference and the media design for UCSB's Religious Studies Y2K Colloquia.
Born in Laredo, Texas (the rumored issue of Remedios Varo and Ché Guevara) and educated in Prague, Nuevo Laredo, Tlön and Barcelona, Nericcio presently lives in Partanna, Sicily where he makes books by hand, designs web pages, and serves as an apprentice vintner for a local winery. His latest digital work, "The Existential Guillotine" appears as an image/postscript in William Nericcio's "When Electrolysis Proxies for the Existential: A Somewhat Sordid Meditation on What Might Occur if Frantz Fanon, Rosario Castellanos, Jacques Derrida, Gayatri Spivak & Sandra Cisneros Asked Rita Hayworth Her Name," in Violence and the Body ed.
Arturo Aadama (Bloomingdale: University of Indiana Press, 2002).
2005 has seen Nericcio García return to the United States. He was spotted on Sunday, August 7, 2005 leading an Arts education session on Word and Image with his peculiar if affable sidekick, Leon Lanzbom, for the Museum of Contemporary Art, San Diego.
Lastly, there has been some internet conjecture on the reality of Guillermo Nericcio García--in particular, whispers that he and "William Anthony Nericcio," a somewhat eclectic Chicano/Tejano literature professor at SDSU, are the same person. Let the check opposite, reproduced here via photographic facsimile, testify on Guillermo's behalf.
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